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WEEKLY FORM By Sam Finn
Cologne, Germany
PROFILE
Nora Hase
Portraiture as Resistance
Malmö, Sweden
Marcus Wallinder
Meanwhile In Nowhere
INTERVIEW
A Word Too Heavy to Claim
The work is ready, the artist is not
9 - MINUTE READING
FRAMES
▫️ The work is coherent, formally deliberate, capable of sustaining a series, and the maker still hesitates to call themselves an artist. Among generative image practitioners, this gap is common enough to be structural rather than temperamental.
What art
can be
is changing.
So is who gets
to make it.
G—G publishes
the practitioners
whose thinking
outlasts
the tool.
G—G.
For those
rethinking
how art
is made,
and what
it means.
G—G.
For those rethinking
how art is made,
and what it means.
G—G
A Word Too Heavy to Claim
The work is ready, the artist is not
23 February 2026
FRAMES
Big Figures Are Writing the Rules
How Christie’s, Sotheby’s, and Phillips are defining generative art
23 March 2026
FRAMES
When the Camera Rewrote the Painting
And why generative systems are rewriting the camera
24 March 2026
FRAMES
Form Versus Feed
Generative art between selection and saturation
16 March 2026
FRAMES
What Images Are Not
How visual truth was manufactured long before generative tools
9 March 2026
FRAMES
G—G
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Editorial dispatches, by mail.
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