top of page

WEEKLY FORM By Ioland

G—G Generative Generation - Renato Quaresma 002.jpg

Madrid, Spain

PROFILE

YZA Voku

On Performance Without Psychology

Paris, France

Yasmin Gross

A Hybrid Convergence: Nature, System, Self

Start Now

INTERVIEW

b1686e_8d3b12616a594f75ae3e9502834f30b3~mv2.webp

Big Figures Are Writing the Rules

How Christie’s, Sotheby’s, and Phillips are defining generative art

10 - MINUTE READING

FRAMES

What art
can be
is changing.
So is who gets
to make it.
G—G publishes
the practitioners
whose thinking
outlasts
the tool.

 G—G.
For those
rethinking
how art
 is made,
and what
 it means.
 

 G—G.
For those rethinking
how art is made,
and what it means.

G—G

C00GG.png
G—G Magazine Covers Gif
Art Piece

Big Figures Are Writing the Rules

How Christie’s, Sotheby’s, and Phillips are defining generative art

23 March 2026

FRAMES

Art Piece

When the Camera Rewrote the Painting

And why generative systems are rewriting the camera

24 March 2026

FRAMES

Art Piece

Form Versus Feed

Generative art between selection and saturation

16 March 2026

FRAMES

Art Piece

What Images Are Not

How visual truth was manufactured long before generative tools

9 March 2026

FRAMES

Art Piece

The Myth of the Hand

Authorship lived through the factory; it will live through generative tools

2 March 2026

FRAMES

G—G

Get The Brief. 
Editorial dispatches, by mail.

Start Now

YZA Voku

On Performance Without Psychology

Madrid, Spain

IMPRINT

Start Now

Danilo Brandão

A Rebellion in the Image Economy's Own Language

Melbourne, Australia

IMPRINT

Start Now

Nora Hase

Portraiture as Resistance

Cologne, Germany

IMPRINT

Patricia Geagea

Robin Kane

Asya Mur

Franki Domino

KUNSTKAMMERAI

Dreamwaves

Iñigo Bilbao

GGLABHeroImage Static Images01.jpg

G—G

FOLLOW G—G

GENERATIVE GENERATION Simon Horsfall 01.jpg

Germany

Yasmin Gross

GENERATIVE GENERATION Simon Horsfall 01.jpg

Sweden

Marcus Wallinder

GENERATIVE GENERATION Simon Horsfall 01.jpg

Brazil

Hanna Inaiáh

Yasmin Gross

— X Machina Flora became a way to push images toward sensory intensity, so vivid they verge on excess, and to test how vision alone can trigger synaesthetic memory.

INTERVIEW

bottom of page